Heather Ryan Kelley

Heather Ryan Kelley

  • Reserved for Fire: Baton Rouge Gallery
  • Reserved for Fire
  • Paintings: Studies after Finnegans Wake
    • Work in Progress
  • Ephemera
    • McNeese Review, Boudin, When in Rome, November 2025
  • The Midden Heap Project
    • Midden Heap Project, Boxed set
    • Statement
    • The Mime of Mick, Nick, and the Maggies
    • Mamalujo
  • Thunderwords
  • Rosenbach Museum & Library, Philadelphia, PA "18 Reasons to Read Ulysses"
    • Exhibition
    • Statement
  • Rosenbach Museum and Library, South Study, installation 2025
  • Storiella, Royal Academy of Art, Antwerp
  • Quiddity, Acadiana Center for the Arts, Lafayette, Louisiana
    • Statement
    • Quiddity-installation views
    • Exhibition
  • Baton Rouge Gallery, Surface and Support, August 2023
  • News
    • Get Ready Grant, Arts Council of Baton Rouge, Cerf+ 2025
      • Get Ready Grant, CERF+, hurricane preparedness, 2022
    • Antenna exhibition, New Orleans
  • Books, prints, works on paper
    • Derailment, 2023, altered book
  • Still life paintings
  • Book cover paintings
  • Figure studies
  • Links
    • Joycean resources
  • Bio
  • Contact
  • Shop

The series Reserved for fire examines the destructive, transformative, and hypnotic nature of fire. One point of reference for this body of work is Archimboldo’s painting titled Fire from his Four Elements series. Archimboldo inventively represented manifestations of fire as a source of light and warmth and for its use in weaponry.


Reserved for fire extends and updates Arcimboldo’s fire allusions to include the idea of climate-driven fire seasons, fire as a term of dismissal, and fire as an agent of refining and judgement. The series contains modern versions of the implements of fire--including lighters, ash containers, and matches.


In addition to Archimboldo’s influence, there are references to Susan Sontag’s The Volcano Lover (the book cover painting and Ascent by night) and other literary works including A World Lit Only by Fire and The Crucible.